On the evening of July 10, 2025, the Mörbisch’s sea festival games were tied to a dazzling Brooklyn of the 1970s. With the premiere of the musical « Saturday evening fever », an ode was celebrated to an era, which dirch is caught by the cult film of the same name and the unchanging music of the Bee Gees. A evening full of nostalgia, impressive choreographies and the shine of a refracement that fascinates Bise Hute.

The expectations and the year of production were high, and Inndant Alfons Haider had every reason for the Inn. After a few undead people Hidersengenschen, « Saturday Night Fever » to bring to this lake stage, it seems to be a spot landing. In the run-up to the pubic hope and rescue location, he himself took place, and the now tunedunzunzunzunzunschähten, in the disc-one-an-zulucht-Fandonzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzunzun. Interesting thought spieri, the Lower Stage Stuck gives a Tieweree level.

The stage design, responsible for Walter Vogelweider, war of two an eye -catcher and an work of the illusion. The transformation of the seaside stage in the New York City Part Brooklyn Miter with a striking skyline from Manhattan and the Verrazzano-Narrows Bridge was over-bunting and atmospheric. The glittering pink and the sparkling lychter, which director Karl Abnger conjured up on the stage in cooperation with the bulb educator, created the perfect backdrop for vibrant scripts. Neuarge Filmleme, which became integrers for the first time in the show, also revived the round of 3,600 square meters and contributed to the immersion.

At the center of the plot is Tony Manero, the young Italo-American from Brooklyn, praised in a gray everyday life and the turmoil of his milieus. He finds his escape on the dance floor, where he advanced to the unquucked king of Saturday nights. Fabio Diso, who hatched a diem evening in the role of Tony Manero – alternately with Paul Csitkovics – to embody the iconic figure with a little. His hip swing reminded a John Travolta and his presence on stage. Diezchoreographies by Faye Heather Anderson were shaped and lively down to the smallest detail. They made the energy of the 1970s noticeable and animiene the audience to rock with, almost for a member.

The music of the Bee Gees, the musical, sounded in Mörbisch in a new arranged form. The musical director Tom bitterly dared to copy the Gibb brothers Nick, but to give him a time of interpretation. « Stayin ‘Alive », « How deep is your love » and « night fever » – the hits that generation have caught, functions also in this new interpretation and were partly with the audience.

The young ensemble was placed in a good mood, apart from a few small, unanimously. Ihenen succeeded in authentically presenting the mix of the prospects of the joy of the discos. To highlight the vocal performance of Amanda Whitford in the role of the clubs Angerin, who began the audience. Anna Rosa Döller as Tony’s booted Stephanie Mangano, both visually in the Marilyn Monroe look and gone. The frame whether the two would win the dance competition and Stephanie Tony’s charm would be up to the end of the tension, also from the -many connoisseurs of the layer for the foreseeable future.

However, the story of Tony Manero is more than just a dance fairy tale. It also exfolts the thoughtful sides of life: loneliness, frustration and the difficulty to escape an apparently prescribed path. But Nick Mörbisch would be Mörbisch if Nick was at the end of a bright spot. True to the tradition of the Seewerefest game, the story ends in the end of the happiness

The prominent march for the premiere and Tug was the fashionable Hollywood flair. Number of persecution. And the atmosphere. General Director Alfons Haider showed, visibly like it after the performance: « We were all about, we were -aware, and the audience has done. »

The Mörbisch’s sea festival – a stage in the reed

The Mörbisch sea festival are an annual operetta and musical festival that has established itself in Neusesesis in Burgenland, Austria. They are known for their only location on an impost and attract tenth prolongs every year.

The history of the Mörbisch’s seaside festival gives up quite Serck until 1957. Originally founded as smaller festivals, they quickly develop into the idea of performing operated on an external natural scenery, it turned out to be successful. In the early years, the Vienna Operetta in particular are the focus of the game, with works by Johann Strauß, Franz Lehár and Emmerich Kálmán. Unless the management of well -known director, including Herbert Alsen and Harald Serafin. In the Labten years the festival has expanded their repertoire and show in addition to classicals and musicals was a wide audience an appeal and sterm traditions with mode the switch to musicals hat

The location: the lake stage

Dasherzstein of the Mörbisch sea festival is dying Sea stageOne of the world’s largest open-air brides. Wins directly in the Neusiedlese, a Steppensee, which belongs to the Zumo World culture and is surrounded by an out-like reed belt. The stage itself is a dimensioning is huge: it extends over the surfaces of around 3,600 square meters and offers StZ for complex and agile backdrops, often die whole cities or fantastic lies.

The grandstand for the audience on the shore positioning and Bienne a cooking view of the stage, with the far of the seeing and clumsily, undegree backdrop. The acoustics on the seaside stage is a particular challenge that is passed by the dirch of modern technology and sophisticated top sound system. The experience of combining the theater of a free homel with the natural surroundings of the Neusedle makes the sea festival playing Mörbisch to the only cultural highlight. The combination of nature experience, elaborate staging and top -class performances are presented, which attracts sales from all over the world and mörbisch